MANILA, Philippines — Five foreign nationals allegedly involved in illegal abortion activities were arrested by law enforcement authorities on Monday, the Bureau of Immigration said.
In a press release on Wednesday, BI said that it nabbed the three Vietnamese nationals and two Chinese nationals along Macapagal Boulevard in Pasay City.
One of the Vietnamese nationals, according to the BI, introduced himself as a doctor of a wellness center.
He was identified as 29-year-old Trinh Dinh Sang, who was employed at a “wellness clinic” in the area.
According to BI’s intelligence division chief Fortunato Manahan Jr., the authorities posed as clients for cosmetic treatments.
Upon confirmation of the presence of foreign nationals, the arresting officers implemented the apprehension against Sang and his cohorts.
The operations, carried out in collaboration with the Presidential Anti-Organized Crime Commission and the Philippine National Police in Pasay City, were based on information indicating that Sang was involved in illegal activitie s, including cosmetic enhancements and abortion procedures.
The other individuals apprehended are: Nguyen Duy Quynh, 67; Pham Thi Nhu Hieu, 28; Xie Jun, 36; and Z hai Jian Gang, 43.
Sang and the other foreign nationals are held at the BI’s facility in Bicutan while a pending resolution o f deportation against them has been lodged.
Catholic-majority Philippines has the world’s most restrictive laws against abortion. The Revise Penal Code of the Philippines Article 256 states that any person who shall intentionally cause an abortion shall suffer the following:
“1. The penalty of reclusion temporal, if he shall use any violence upon the person of the pregnant woman.
2. The penalty of prision mayor if, without using violence, he shall act without the consent of the woman.
3. The penalty of prision correccional in its medium and maximum periods, if the woman shall have consented.”
Arti cle 259, on the other hand, said that abortion practiced by a physician or midwife and dispensing of abortives “shall be imposed in its maximum period, respectively, upon any physician or midwife who, taking advantage of their scientific knowledge or skill, shall cause an abortion or assist in causing the same.”
CANNES, France — A blood-splattered “Mad Max” heroine, a Meryl Streep masterclass, a #MeToo figurehead — the Cannes Film Festival showed the progress women have made in cinema on its first full day.
The festival was bracing for the world premiere of “Furiosa”, the latest installment of the post-apocalyptic “Mad Max” franchise, with Anya Taylor-Joy in the no-holds-barred title role playing alongside “Thor” star Chris Hemsworth.
While “Furiosa” plays out-of-competition, the race for festival’s top prize, the Palme d’Or, also gets underway on Wednesday with two films that put women’s stories centre-stage.
They are being judged by a jury led by Greta Gerwig, the first woman to direct a billion dollar movie with “Barbie.”
First up are “The Girl with the Needle”, billed as the story of a Danish woman who set up an underground adoption agency after World War I, and “Wild Diamond” about a French teenager seeking fame on a reality TV show, from first-time director Agathe Riedinger.
Related: Meryl Streep receiving honorary Palme d’Or at Cannes
Streep masterclass
One of the most iconic women in cinema, Meryl Streep, will also be delivering a masterclass a day after receiving an honorary Palme d’Or at the opening ceremony.
“I’m just so grateful that you haven’t gotten sick of my face,” Streep, 74, joked as she received the award from French actor Juliette Binoche.
And there is a screening of a short film about sexual violence, “Moi Aussi” (“Me Too”), by French actor Judith Godreche.
She has become a leading figure in France’s #MeToo movement after accusing two directors of assaulting her when she was a teenager in the 1980s — even appearing before the French Senate this year to call for greater protections on film sets.
It comes amid a wave of new allegations in France, most notably against veteran actor Gerard Depardieu, and persistent rumours that more big names will face accusations.
Godreche said she has a nuanced view of the #MeToo movement, “There is growing awareness, but sometimes things are announced in a way that feels too staged. It’s not very spectacular being abused, it’s not very funny, it’s not very theatrical.”
Related: Cannes Film Festival 2024: List of films competing
Gerwig hopeful
The host of the opening ceremony, Camille Cottin, star of hit series “Call My Agent!” and an outspoken feminist, also took digs at the “biggest bad guy of all time: the patriarchy.”
“The late-night work meetings in hotel rooms of all-powerful gentlemen are no longer part of the Cannes vortex,” she said in her welcome address.
Gerwig, meanwhile, struck an optimistic note.
“Every year I cheer when there are more and more women being represented,” she told reporters. “Fifteen years ago, I couldn’t have imagined the number of women represented not only at international festivals but in distribution and board conversations, and so I’m hopeful that it’s just continuing.”
Still to come at the 77th edition of the festival is the hotly anticipated return of “The Godfather” director Francis Ford Coppola with his decades-in-the-making epic “Megalopolis.”
Also in the running for the top prize is a Donald Trump biopic, “The Apprentice,” and new films from arthouse favourites David Cronenberg (“The Shrouds”), Italy’s Paolo Sorrentino (“Parthenope”), as well as “Emilia Perez,” an unlikely-sounding musical about a Mexican cartel boss having a sex change from French Palme d’Or-winner Jacques Audiard.
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