COTABATO CITY — Anti-narcotics agents seized P748,000 worth of shabu from two dealers, one of them reportedly connected with two local terrorist groups, entrapped in separate operations in two Bangsamoro provinces on Friday.
The first to fall in the two operations was Sibal Sampang, arrested by agents of the Philippine Drug Enforcement Agency-Bangsamoro Autonomous Region in Muslim Mindanao after selling to them P340,000 worth of shabu in a tradeoff in Barangay Poblacion in Bongao, the capital town of Tawi-Tawi.
Gil Cesario Castro, director of PDEA-BARMM, told reporters here on Sunday that Sampang yielded peacefully when he was cuffed by agents to whom he had sold 50 grams of shabu worth P340,00 during the entrapment operation, planned with the help of tipsters, among them his close r elatives.
Policemen had also entrapped and detained on the same day a male dealer, who is said to have links with the allied terrorist groups Dawlah Islamiya and Bangsamoro Islamic Freedom Fighters in Wao town, Lanao del Sur.
The sting resulted in the seizure of P408,000 worth of shabu from the suspect whose name was withheld while efforts to validate his links with the Dawlah Islamiya and the BIFF are still underway.
Police Brig. Gen. Prexy Tanggawohn, director of the Police Regional Office-Bangsamoro Autonomous Region, said on Sunday that the entrapment operation that led to his arrest was jointly initiated by units under the Lanao del Sur Provincial Police Office and the Drug Enforcement Group Special Operations Unit-15 of the Philippine National Police.
The suspect was immediately detained after selling P408,000 worth of shabu to non-uniformed policemen during the entrapment operation in a secluded area in Wao, one of the 39 towns in Lanao del Sur.
MANILA, Philippines — Nothing is holding Oscar nominee Dev Patel back as he stars, writes and produces his action-driven directorial debut “Monkey Man.”
Patel portrays a nameless underground fighter, only known as “Kid” in the credits, who loses matches for profit. He gains more money if he bleeds.
The protagonist soon makes his way into employment in an exclusive club where the rich and powerful gather, including the police chief who killed his mother. This leads Kid to ultimately set out on a path for revenge.
What follows is a well-structured tale by a first-time featu re director and writer that stands out from action films of late, with the film standing its own as a potential blockbuster in the making.
The actor has come a long way from starring in “Skins” and “Slumdog Millionaire,” to an Academy Award-nominated performance in “Lion” and leading man turns in “The Personal History of David Copperfield” and “The Green Knight.”
Production was a big problem in getting the film made with the pandemic and injuries adding to it, but with the involvement of Oscar winner Jordan Peele, the film manages to keep its viewers on the edge.
Tapping Peele might have been a gamble, even for an established star like Patel holding the reigns on four key fronts, but Peele clearly saw Patel’s vision, and it resulted in a risk that is paying off the dividends.
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It’s difficult not to compare the film to other recent action movies — “John Wick” is namedropped — with a training sequence occuring and so many tools are featured a la Jackie Chan movies.
And yet Patel manages to make “Monkey Man” stand out both on the action choreography front and as a story, borrowing from the legend of “Hanuman” to craft a revenge tale that feels Shakespearan in nature.
Patel and his team of writers even involve politics and religion into the framework — a community treated as outcasts play a significant part in the protagonist’s journey — that it appears more than just flying fists and quick cuts.
Credit is due to its team of multiple editors, namely, Joe Galdo, David Jancso and Tim Murrell, who curated numbered sequences that feel exciting (one might be surprised by how many action set pieces there are).
The cinematography of Sharone Meir, who shot “Whiplash,” and the score of Jed Kurzel also deserve a pat on the back.
There is one money shot of Patel’s character in “Monkey Man” that surely Keanu Reeves or even Tom Cruise might be envious of, but take nothing away from Patel because he truly deserves this moment of success.
So much lies ahead for Patel now, even outside of another “Monkey Man” project, and the world better prepare for what he cooks up next.
“Monkey Man” opens in Philippine cinemas on May 15 and is classified by the Movie and Television Review and Classification Board (MTRCB) with an R-18 rating.
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